Getting Started
Index
NYC Neighborhoods
Manhattan
Brooklyn
Queens
Bronx
Staten Island
NYC Icons
Chrysler Building
Flatiron Building
Empire State Building
Safe NYC
NYPD
FDNY
NYC Weather
NYC Climate
NYC Weather Forecast
Winter Season
Spring Season
summer Season
Fall Season
NYC History & Politics
New York City History
Tammany Hall and Politics
New York City Politicians
New York City Personalities
Culture of Gotham City
Culture of the city
Cultural diversity
City in popular culture
|
Because of its sheer size and cultural influence, New York has been the subject of many different, and often contradictory, portrayals in mass media. From the sophisticated and worldly metropolis seen in many Woody Allen films, to the hellish and chaotic urban jungle depicted in such movies as Martin Scorsese's Taxi Driver, New York has served as the unwitting backdrop for virtually every conceivable viewpoint on big city life.
In the early years of film New York City was characterized as urbane and sophisticated. By the city's crisis period in the 1970s, however, films like Midnight Cowboy, The French Connection, and Death Wish showed New York as full of chaos and violence. With the city's renaissance in the 1980s and 1990s came new portrayals on television; Friends, Seinfeld, and Sex and the City showed life in the city to be glamorous and interesting. Nonetheless a disproportionate number of crime dramas, such as Law & Order, continue to make criminality in the city as their subject even as New York has become the safest large city in the United States in the last two decades.
An essay appearing in the Arts section of the New York Times in April 2006 quoted several filmmakers, including Sidney Lumet and Paul Mazursky, describing how modern cinema shows the city as far more "teeming, terrifying, exhilarating, unforgiving" than contemporary New York actually is, and the consequential challenge this poses for filmmakers. The article quotes Robert Greenhut, Woody Allen's producer, as saying that despite the increased sanitization of modern New York, "New Yorkers' personalities are different to Chicago. There's a certain kind of vibrancy and tone that you can't get elsewhere. The labor pool is more interesting than elsewhere - the salesgirl with one line, or the cop. That's who directors are looking for."
James Sanders, editor of Scenes From the City: Filmmaking in New York, 1966-2006, is quoted in the article as predicting that future films in New York City will move away from the well-worn setting of upper-middle class Manhattan neighborhoods to the outer boroughs, where they will begin examining the crosscurrents emanating from ethnic neighborhoods in Brooklyn, Queens and the Bronx.
|
New York City Search
Quick NYC
|